On July 29th Jihad Watch ran an interesting article
by Ralph Sidway of the Facing Islam
blog, “’The
Nightmare’ – Europa and the Incubus.” The Gothic painting illustrating his
column, by German-Swiss artist Henry Fuseli, depicts an
incubus sitting atop the limp and helpless body of Europa.
The mythical Europa is more notoriously
noted for having been carried off by Zeus in the guise of a bull. Sidway dwells
in the metaphor that Europe is
instead being conquered and ravished by an ugly ogre or incubus – or by
Muslims. It has been abducted, as well, and is daily ravished by Islam. He
begins:
Sometimes
an image — a metaphor — is much more effective at presenting truth than even
the most persuasive argument or laying out of facts. ‘The Nightmare’ is
such an image.
Europeans
may still have some dim collective memory of the Muslim conquest of the Iberian
peninsula (Spain) in the early 8th century, of Islam’s nearly successful
colonization of the rest of Western Europe (Gaul, etc.), of centuries of Muslim
raids on Italy, of Muslim piracy and dominance in the Mediterranean Sea, of
repeated Muslim attempts to invade Europe through the Balkans, and of the
eventual fall of Constantinople in 1453, and of Turkish crimes against the
Greeks during the 18th and 19th centuries and the Armenian Genocide in the
early 20th….
The
metaphor of the demonic Incubus (Islam)
preying upon the paralyzed sleeper (Europa) is hardly a stretch, as this
particular demon was believed to engage in sexual activity with its victim,
trying to foster a hybrid human-demon child, and if unable to do that, then to
bring about madness, demon possession, sickness and ultimately death to its
host.
It was the mention of the belief in the incubus’s
sexual activity that caused me to wonder why no student or scholar of Islam had
ever much investigated the Muslim’s preoccupation with the rape of Western and
other non-Muslim women. Possibly a psychological study of the condition has
been produced; I don’t claim to have an encyclopedic knowledge of all the ugly
and sordid facts of Islam.
The brutal treatment of the Yazidis
is a case in point. The Yazidis are between dark and fair complexioned, but
have blue or green eyes. It is their captive women who are valued the most in
ISIS slave auctions. They are either” married” off to ISIS fighters or held
prisoner in ISIS brothels, guarded by armed,
burqa-clad women who are mostly fanatical Nazi-like converts to Islam and
who are as cruel
and callous as the ISIS fighters who rape the Yazidis. ISIS has stated that
it wants to
exterminate the Yazidis, to “erase their blood line.” Neither the captives
nor their captors are much interested in a debate on whether or not Mozart’s Abduction from the Seraglio
presented a true picture of Turkey and Islam, or if Muslims of both sexes
were honestly and accurately portrayed in Amadeus’s Turkish
finale.
It is reported that between sixty and seventy of
these girls and women commit
suicide every month rather than endure more savagery or have the fighters’
babies.
Defenders of Islam claim that its adherents and its
doctrines are not “racist,” even though racist tenets are rife throughout
Islamic texts, such as in the Koran
and the Hadith
(Mohammad’s sayings). The camel’s nose in the tent of those Islamic denials
is the fact of the institutionalized slavery of black Africans that predated
Western institutionalized slavery (which was abolished; Islam has never
actually abolished it, and won't).
The next day Jihad
Watch published Raymond Ibrahim’s “Why
Muslim Rapists Prefer Blondes: A History.” This article first appeared on
Ibrahim’s site, together with an Orientalist-style painting** of a naked
Caucasian slave being ogled and sized up by three Arab sheiks. (The artist’s
name was not noted on the site.) In
drawing a comparison between Byzantium and the modern West, in the context of
“why Muslims prefer blondes,” Ibrahim begins:
The
Muslim penchant to target “white” women for sexual exploitation—an epidemic
currently plaguing Europe, especially Britain and Scandinavia—is as old as
Islam itself, and even traces back to Muhammad.
Much
literary evidence attests to this in the context of Islam’s early predations on
Byzantium (for centuries, Christendom’s easternmost bulwark against the
jihad). According to Ahmad M. H. Shboul (author of “Byzantium and the
Arabs: The Image of the Byzantines as Mirrored in Arabic Literature”) Christian
Byzantium was the “classic example of the house of war,” or Dar al-Harb—that
is, the quintessential realm that needs to be conquered by jihad.
Moreover, Byzantium was seen “as a symbol of military and political power and
as a society of great abundance.”
The
similarities between pre-modern Islamic views of Byzantium and modern Islamic
views of the West—powerful, affluent, desirable, and the greatest of all
infidels—should be evident. But they do not end here. To the
medieval Muslim mind, Byzantium was further representative of “white
people”—fair haired/eyed Christians, or, as they were known in Arabic, Banu
al-Asfar, “children of yellow” (reference to blonde hair).
It’s noteworthy that in the course of investigating
(or not investigating much) the
Rotherham Muslim sex slavery of British girls,
A
local police officer aptly illuminated the reasons for the cover-up. "They
were running scared of the race issue… there is no doubt that in Rotherham,
this has been a problem with Pakistani men for years and years,” the officer
explained. "People were scared of being called racist.” But the Muslims
targeted their victims on the basis of race.
So, they
were also afraid of calling the Muslim
criminals racists, even though these dark-skinned Pakistanis were targeting
white British schoolgirls? This is how political correctness can destroy men’s
minds. It can neutralize the willingness
to make moral judgments.
What is one of the sources of this brand of racism?
Mohammad, of course. As Ibrahim relates, quoting an Arabic writer:
Continues
Shboul:
“The
Byzantines as a people were considered as fine examples of physical beauty, and
youthful slaves and slave-girls of Byzantine origin were highly valued….The
Arab’s appreciation of the Byzantine female has a long history indeed.
For the Islamic period, the earliest literary evidence we have is a hadith
(saying of the Prophet). Muhammad is said to have addressed a newly
converted [to Islam] Arab: “Would you like the girls of Banu al-Asfar?” Not only were Byzantine slave girls sought
after for caliphal and other palaces (where some became mothers of future
caliphs), but they also became the epitome of physical beauty, home economy,
and refined accomplishments. The typical Byzantine maiden who
captures the imagination of litterateurs and poets, had blond hair, blue
or green eyes, a pure and healthy visage, lovely breasts, a delicate waist, and
a body that is like camphor or a flood of dazzling light.”
While
the essence of the above excerpt is true, the reader should not be duped by its
overly “romantic” tone. Written for a Western academic publication by an
academic of Muslim background, the essay is naturally euphemistic to the point
of implying that being a sex slave was desirable—as if her Arab owners were
enamored devotees who merely doted over and admired her beauty from afar.
Indeed,
Muhammad asked a new convert “Would you like the girls of Banu al-Asfar?” as a way to entice him to join the jihad and reap
its rewards—which, in this case, included the possibility of enslaving and
raping blonde Byzantine women—not as some idealistic discussion on beauty.
Or raping and impregnating blue and green eyed
Yazidi women. ISIS fighters don’t patronize the brothels to have civilized tea-and-crumpet
discussions with the captives about their beauty and the question of whether or
not a Muslim’s “right hand”
can possess any of them. As Ibrahim notes:
Thus
a more critical reading of Shboul’s aforementioned excerpt finds that European
slave girls were not “highly valued” or “appreciated” as if they were precious
statues—they were held out as sexual trophies to entice Muslims to the jihad.
As Pamela Geller notes in one of her Atlas
Shrugs columns,
“Prosperous
are the believers who in their prayers are humble and from idle talk turn away
and at almsgiving are active and guard their private parts save from their
wives and what their right hands own then being not blameworthy.” (Quran
23:1-6)
Those
whom their “right hands own” (Quran 4:3, 4:24, 33:50) are slaves, and
inextricable from the concept of Islamic slavery as a whole is the concept of
sex slavery, which is rooted in Islam’s devaluation of the lives of
non-Muslims.
Ibrahim subsequently points out the fallacies and
fantasies of the Islamic view of Byzantium and of Byzantium women.
Moreover,
the idea that some sex slaves became mothers to future caliphs is meaningless
since in Islam’s patriarchal culture, mothers—Muslim or non-Muslim—were
irrelevant in lineage and had no political status. And talk of “litterateurs
and poets” and “a body that is like camphor or a flood of dazzling light” is
further anachronistic and does a great disservice to reality: These women
were—as they still are—sex slaves, treated no differently from the many slaves
of the Islamic State today.
For
example, during a recent sex
slave auction held by the Islamic State, blue and green eyed Yazidi girls
were much coveted and fetched the highest price. Even so, these
concubines are being cruelly tortured. In one instance, a Muslim savagely
beat his Yazidi slave’s one year old child until
she agreed to meet all his sexual demands.
Islam proclaims that the rape of infidel women is
not the fault of Muslim men – who are portrayed as morally and even racially
superior to everyone else – but that of the infidel women who shamelessly
flaunt their beauty, thereby advertising their alleged promiscuity and
immorality, and become “exposed
meat” that causes Muslims to lose their self-control. For the infidel women, there is no
forgiveness; for the Muslim male, there is plenty of dispensation to be found
in Islamic texts, because he’s superior and privileged by virtue of being
Muslim, so his raping an infidel woman is no more a crime or a lapse in his
morality than his raping a ewe.
Ibrahim’s article is broad in scope and extremely
informative. After having read it, I left a comment on both his site and on
Jihad Watch, and this comment comes closer to the subject of my own column:
About the subject of Muslims preferring to
rape/own/enslave white women, whether they're captives of ISIS or in Europe and
Britain, especially blondes (remember Lara Logan's experience in Cairo?): The
ostensible motive for it is to destroy the good for being the good. To despoil
beauty. The second aspect of these crimes hasn't been dwelt on much, which is
the fact that these Muslim men consider themselves as unclean and unworthy as a
fundamental tenet of Islamic metaphysics, and regard the act of rape as a means
to consciously befoul beauty with their own persons. This is another reason why
Islam is evil.
To qualify the contention that “these Muslim men
consider themselves as unclean and unworthy” is the much-noised Islamic
assertion and contradiction that Muslims are superior to all others of other faiths and races (even though Islam
is not a race). But, superior in
which respect? The Muslim male initially regards himself as foul and decrepit.
This is a notion (or incubus) of Original Sin shared by Islam and Christianity;
Islam doubtless cadged it from
Christianity, which predated Islam by about 500 years, just as Islam cadged
elements of other religions from the 7th century onward, including,
significantly, the pagan moon god, Allah. Being an imperfect plaything of
Islam’s Allah necessitates a Muslim male’s needing to observe a strict moral
code that will keep him on the “straight and narrow” path to Islamic virtue and
“perfection” and “purity” with the expectation of Allah’s praise.
And, it’s okay to wander from the “straight and
narrow” to rape infidel women, especially blondes. They deserve the treatment.
It’s Allah’s will. Nay, his command.
I mentioned Lara Logan in my comment. In an ABC
interview about her rape and experiences in 2011 in Tahrir Square, Cairo,
she reveals that it wasn’t just
the rape that was dooming her to death. It was Muslim men trying to kill her
in the most tortuous way possible:
Lara
Logan, the CBS reporter who was sexually assaulted by a mob in Cairo's Tahrir
Square the night that longtime Egyptian President Hosni Mubarak stepped down, opened
up about the brutal attack in an emotional interview on "60
Minutes" Sunday. The reporter said she decided to go public to call
attention to sexual violence against female journalists, offering a tearful
recollection of the horrific night she thought would be her last.
"There
was no doubt in my mind that I was in the process of dying," Logan told
CBS News' Scott Pelley. "I thought, 'Not only am I going to die, but it's
going to be just a torturous death that's going to go on forever.'"
Logan
said her clothes were torn off and her muscles were agonizingly stretched as
she was separated from her crew and swallowed into the 200-to-300-strong mob.
She recalled the flashes of cell phone cameras taking pictures of her naked
body as her merciless attackers raped her with their hands.
"I
didn't even know that they were beating me with flagpoles and sticks and things
because I couldn't even feel that because I think the sexual assault was all I
could feel, was their hands raping me over and over and over again," Logan
said in the interview….
"They were tearing my body in every
direction at this point, tearing my muscles. And they were trying to tear off
chunks of my scalp, they had my head in different directions." Logan said she hoped her screams would stop
her assailants, but they only provoked them. "Because the more I screamed,
it turned them into a frenzy," she said. [Italics mine]
These details are important. For it isn’t just a
matter of sexual gratification that a Muslim will rape an infidel woman. It is
an issue of destroying the good for being the good, and a Muslim male in a
sexual predator mode will want to accomplish the obliteration of his victim in
as painful a way as possible. The screams of Lara Logan – and those of any
other infidel woman in Britain, Scandinavia, and the Mideast – are integral to
the Muslim rapist’s sense of nihilist efficacy.
There is a scene in Ayn Rand’s Atlas Shrugged that illustrates this point dramatically. John Galt,
the scientist hero, is being tortured by a government-built machine with
electrical shocks calculated not to kill him but to send pulses of agony
through his body. One of the torturers isn’t satisfied with Galt’s response to
the pain:
“Go
ahead!” cried Taggart. “What are you waiting for? Can’t you make the current
stronger? He hasn’t even screamed yet!”… Taggart was staring at {Galt’s body]
intently, yet his eyes seemed glazed and dead, but around that inanimate stare
the muscles of his face were pulled into an obscene caricature of enjoyment.*
Muslim men – and especially Muslim rapists – are
not virile in the usual sense. A virile man is someone like Sean Connery’s
James Bond, and is seen as such by men and women alike. Rand’s heroes Francisco
d’Anconia and Howard Roark, as well as John Galt, are virile. In the sex act,
they celebrate their lives, their values, their selves as living, rational
beings who love life. The women they “conquer” are their equals in spirit who
also view sex as a celebration.
Muslim men, however (and this observation applies
equally to non-Muslim rapists), are maquettes.
They are half-formed creatures trapped inside the physical bodies of men. They
have no values or selves to celebrate. Their notion of manhood and virility is
one of nihilistic conquest, of force, of proving the efficacy of their capacity
to destroy or cause pain.
Their only sense of “enjoyment” is in the act of
killing. ISIS has sent us numerous beheading and gun barrel to the head videos
that demonstrate that aspect of compliance with Koranic imperatives.
For the ISIS rapists, for the British and European
Muslim rapists, the sex act is not a means to celebrate life, but to celebrate
death, and the potency of their evil.
*Atlas
Shrugged, by Ayn Rand. New York: Dutton, 35th
anniversary edition, 1992. pp.
1142-1143
**Orientalist paintings from the
19th and early 20th centuries, while exquisitely executed and accurate in many
details, romanticized the Islamic and Mideast worlds, overlooking the harsh
realities of especially the Muslim slave markets. See, for example, Kristian
Davies’s Orientalists:
Western Artists in Arabia, the Sahara, Persia and India, or The
Lure of the East: British Orientalist Painting, by Nicholas
Tromans.



This post does not even touch on the horrors of Muslim black slavery, its history or its current practice. It's another story altogether.
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